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Crystal Invites you to Lin Shih Pao at Artexpo New York 2022

LIN SHIH PAO Golden Age Curated by Kate Chang and Kyoko Sato Artexpo New York 2022 | S.P. ART | Booth 205 Pier 36 | 299 South St, New York, NY 10002 VIP and Press Preview | Thursday, April 7, 4-5 pm Opening Night Preview | Thursday, April 7, 5-8 pm Public Fair Hours | Friday, April 8 and Saturday, April 9, 11-7 pm | Sunday, April 10, 11-5 pm “A part of your purchase will be donated to support Ukraine through the STUF United Fund.” Tickets Art Gallery Shop   Lin Shih Pao (b.1962, Taiwan) is a Taiwanese artist based in New York since 1995. He is currently an artist-in-residence at Crystal Foundation and Park, a program established by Crystal Window & Door Systems Ltd. in New York. Upon arrival in New York City after living in Japan for 8 years (1986-1994), he was shocked by people’s disregard for pennies. Pennies, he noticed, were ubiquitous on the street, yet no one picked them up. This American apathy was even more curious for Lin, who, after a stay at a Zen temple in Japan, came to believe there is a spirit in everything, including pennies. Lin allowed his curiosity to unfurl, and as a result, one of his most famous pieces was born. Pennies for Peace (1995-97) was made of one million donated pennies, earning him the moniker, “Penny Artist,” in New York City. Since then, recycled materials have served as his primary material source. His ongoing series, Chinese Zodiac (2018- ), consists of zodiac symbols constructed from thousands of donated New York MetroCards. Similarly, he gathered 25,000 baseballs to create The Tree of Hope (2019), and collected 25,000 used mobile phones to create F1 Like Car (2015). In 2006, he collected two hundred thousand pacifiers to form a Christmas tree piece. In 2005, he was invited to make a piece called Gate of Wisdom for the World’s Fair in Aichi, Japan, for which he collected three hundred thousand pens. Now, he brings his refurbishing lens as artist-in-residence to the Crystal Foundation and Park. As soon as Lin saw discarded window materials at the factory of Crystal Window & Door Systems, he saw an opportunity for rebirth. He gathered trash and built sculptures with it for Golden Age, his latest series. He heated, reshaped, and gilded PVC in a style not unlike the gorgeous, baroque architecture in the Disney classic, Beauty and the Beast (2017) —a miraculous story about love and the transformation of life. Each of his “affectionate” works — as Lin puts it — reveals people’s stories of life and love, layered with experiences and dreams, piece by piece, item by item. In his Golden Age paintings, Lin ambitiously gives us an, “Endless view of the universe,” adding in both a passionate nostalgia and a yearning for new, scientific imaginations. With gold, he emphasizes his optimism and love for humankind, as if to say every single person’s life is infinitely radiant and complex. Lin’s work also integrates Asian philosophy and art styles. A collage of traditional Asian painting techniques with modern media, Lin’s work is uniquely post-surreal. According to past records, his Pennies for Peace (1995-97) was once considered for the United Nation’s permanent collection, but was ultimately rejected based on discriminatory politics in response to his Taiwanese heritage. However, Lin shows us that art resists boundaries and transcends limitations imposed by political borders. He, and his dream for peace, are empowered by like-minded dreamers who refuse to imagine limits in the first place. I cannot help but long for such dreamers to appreciate Lin Shih Pao’s limitless imagination this Spring in Golden Age. — Kyoko Sato, Curator Kyoko Sato is a Japanese independent curator based in New York City. She planned and materialized the exhibition Ancient Queens and Goddesses: Treasures from the Metropolitan Museum of Art, New York held at the Tokyo Metropolitan Museum and The Kobe City Museum, Japan in 2014. In 2017, she joined the roster of renowned international curators at WhiteBox, the original Chelsea alternative non-profit art space, organizing a major historical exhibition, EXODUS I, A Colossal World: Japanese Artists and New York, 1950s – Present (2018) including works by 55 multifarious, significant artists including Yasuo Kuniyoshi, Yayoi Kusama, Yoko Ono, Shigeko Kubota and Hiroshi Senju. At present, Sato is a consultant to the Crystal Foundation and Park, NY as well as a US and Latin America consultant to tagboat.com, the largest online art gallery in Asia.

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Crystal Windows Chairman Donates$1.1 Million for Queens College School of the Arts

Queens College President Frank Wu (left) and Queens Borough President Representative Tiffany Eason present proclamation to Crystal Chairman Thomas Chen recognizing The Chen Family gift to Queens College (photo by Crystal Windows) -Entrepreneur Thomas Chen and Family Establish Sustaining Endowment- QUEENS, NY, November 11, 2021 –Thomas Chen, Chairman and Founder of national manufacturer Crystal Window & Door Systems, and The ChenFamily are pleased to announce they have established a $1,105,000 endowment for Queens College in New York City.  The substantial endowment will support programs at the College’s new School of the Arts.  The endowment was announced by Thomas and his son Crystal President Steve Chen at a press conference held at Queens College on Wednesday, November 10th. The Thomas Chen Family/Crystal Windows Endowment will promote contemporary visual Asian art at Queens College through exhibitions, student scholarships, and a visiting artist program. Three generations of The Chen Family present their $1.105 million endowment to Queens College (photo courtesy of Dominick Totino Photography and Queens College). “I am proud to make this contribution on behalf of the Chen Family and Crystal Windows to Queens College,” said Thomas Chen.  “As someone who never had the opportunity to attend college, I believe supporting a prestigious local institution like Queens College with its long history of benefitting immigrants and first-generation Americans makes perfect sense.  This is the first major gift to the new School of the Arts, a subject near and dear to my heart.  This makes the endowment very special to me and a wonderful legacy for my family.” Regarding the substantial gift to Queens College, President Frank Wu said, “Queens College is profoundly grateful for the generous support of Thomas Chen and The Chen Family, whose endowment will enable the college to offer exciting new programs and scholarships,” said President Wu. “At the same time, Thomas Chen’s remarkable life and outstanding career will inspire our students, showing them that with vision and hard work, the American dream is attainable.” US Congresswoman Grace Meng and New York State Senators Toby Stavisky and John Liu were among speakers to address the audience, and they noted Crystal Windows’ growth and success, its support of Queens philanthropic and cultural institutions, and its commitment to New York.  Lee Fenerstock, President of the Queens College Foundation, and Simmi So, a current Queens College art student, spoke of what the endowment would mean to the College’s art programs.  The Chens also received a proclamation from Queens Borough President Donovan Richards recognizing their magnanimous action. On behalf of The Chen Family, Thomas and Steve Chen presented the endowment to Queens College President Wu.  “Even though our operations are now national, Queens remains the home of Crystal Windows.  My family has always believed in sharing our good fortune to better the community,” said Steve Chen.  “We have a longstanding interest in art, and we have focused much of our philanthropy on supporting the arts.  Appreciation of art transcends the languages and borders that separate us.  Art is a force that unites people and the world, so The Chen Family is happy this endowment will support the arts and art education in Queens for many generations to come.” Crystal Chairman Thomas Chen (left), President Steve Chen and Steve’s son pose with the endowment check presented to Queens College on November 10, 2021. Entrepreneur Thomas Chen is a true American success story.  Speaking no English and with little money, he immigrated from rural Taiwan to the US in 1982 and worked several menial jobs.  Then in 1990 he launched his own very modest manufacturing company, Crystal Window & Door Systems in Queens.  The company grew steadily, expanded numerous times, and prospered.  Today as Chairman, Thomas continues to provide vision and strategic guidance to the Crystal family of companies, which his son Steve now leads.  His business acumen and accomplishments have been spotlighted over the years by national business publications, television news shows, and industry media and organizations.  Thomas remains a strong and prominent role model to many in the American immigrant and New York business communities. Much of The Chen Family’s philanthropic activity is focused on the arts.  Thomas Chen is a founding member of the Taiwanese American Arts Council, which collaborates with the Queens Museum to support Asian artists throughout the city.  Over the years, The Chen Family has provided support to Queensborough Community College, Queens Theatre in the Park, the NYC Winter Lantern Festival, Flushing Town Hall, the Flushing Taiwan Center, and Queens College. Queens College is a top-tier 4-year and graduate university within The City University of New York (CUNY) system.  Queens College enjoys a national reputation for its liberal arts and sciences and pre-professional programs.  The college has more than 20,000 undergraduate and graduate students and is located on a beautiful, 80-acre campus in Flushing, Queens.  It has been cited by Princeton Review as one of America’s Best Value Colleges for four consecutive years, as well as being ranked a U.S. News and World Report Best College and Forbes Magazine Best Value College due to its outstanding academics, generous financial aid packages, and relatively low costs.

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